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Shamus Award

A Drink Before the War

8.5 | Detective | Domestic Suspense | First Person Perspective | Hard-Boiled/Noir | Harvest Books | Hitman | Moderate Reading | Murder Mystery | Mystery | PI | Police Procedural | Profanity/Gore | Shamus Award

From humble beginnings great things can come. A Drink Before the War is a solidly told, by the numbers PI tale. It barely scratches the surface of the heights that this series will reach but like all first novels it does start to lay the groundwork. It introduces us to two of the most beloved characters in recent years, Patrick Kenzie and Angela Gennaro. They live and work in the same Boston neighborhood that they grew up in, Southie.

Upon first publication in 1994 A Drink Before the War was quickly regarded as a modern classic, garnering a lot of attention, winning over critics and readers alike and eventually winning one of the genres biggest awards, The Shamus, in 1995. Lehane has since gone on to be arguably the best crime fiction writer of our times. While the first book may be a bit wobbly at times once he found his stride, especially in his second book, it has never slackened and he has amassed an impressive body of work.

The job is a simple one; their clients want them to locate a missing employee who may have taken some important documents. They are to find the missing woman and tell the client her location. They actually accomplish this pretty easily and early on. But the clients are two of Boston's biggest and most influential politicians. The missing employee is no mere cleaning lady. The missing documents are oh so much more then they appear to be at first. The missing employee quickly becomes the lynchpin that threatens to bring the city perilously close to blowing apart.

A Drink Before the War introduces the characters and some of the themes that will continue to weave throughout the series but are presented here in a more obvious fashion. Southie is a poor, white, blue collar neighborhood. As a whole there is a strong resentment towards groups in a position of power (politicians) and groups that are perceived as the opposition (black neighborhoods). More so then other genres the modern crime novel when in the right hands is at its heart a social novel and all of these socio-economic problems will be explored throughout the book. Some times they are dealt with a bit heavy handedly, but there are good points and interesting observations that are made. There's a reason that Lehane is grouped with writers such as George Pelecanos, David Simon and Richard Price.

Patrick himself will directly confront the issue of race on more then one occasion as the story progresses. Some of the more passionate discussions on race are had with his long time friend, a black columnist for the local paper. Both sides effectively argue their positions on the issue of race making good points but Lehane is a smart enough of a writer to know that a heated discussion over a couple of pages wont solve the issue or present any viable solutions and just lets it stand as is.

Patrick also has a stronger anti-authoritarian attitude towards the politicians then most because he also has deep seated issues with his father. His father was a hero firefighter who went into politics after retirement. Patrick’s father also beat him savagely behind the facade of a happy family. This is important because it becomes a psychological cross that he bears throughout the entire series and also becomes the impetus for Patrick’s desire to see children protected at all costs and to carry out justice against those who harm them. Patrick also seems to have inherited his fathers temper and propensity for violence, though it never manifests itself in those relationships that are closest to him, tempering it with a strong acknowledgement of who he can become. His father’s ghost haunts him always.

In a later novel Lehane postulates that in poor neighborhoods once a generation or so, a girl comes along with such striking beauty and fierce intelligence that everyone knows she is destined to leave and never come back. He then goes on to tell us that Angie herself was just such a girl, except she never left. She has know Patrick since they were kids and they have been friends for most of that time. Her husband, Phil, was once Patrick’s best friend and they were as close as brothers. Phil though has become an unemployed, alcoholic who physically beats his wife and has done so for years. Ange over the course of the series will become one of the most complex female characters to ever grace fictions pages. In A Drink Before the War she presents a clear and sober eyed picture of a woman in a doomed relationship but still loving the man whom she married. Which in and of itself is just one facet of her personality. The need for a change in her life is starting to itch her subconsciously. Everyone knows what Phil does to her and they all hate him for it, none more so then Patrick. There is a long line of people waiting for the day that they divorce, because on that day Phil will become the most hunted man in town, but for now, whether he knows it or not, he lives under Angie's protection. Angie too has her own crosses to bear. She is a complex counter part to Patrick and his sometimes self destructive personality.

If the line to beat Phil has Patrick at its head then the line to kill him has Bubba at its head. Bubba is another lifelong friend from the neighborhood who was in the military and fought in Beirut in the 80's. He is now is a gun runner, is ultra violent with almost psychotic tendencies. He is fiercely loyal to Patrick and Angie. For this novel Bubba seems mainly to act as a deus es machina, guarding Patrick's and Angie's butts when things get thick, but he will be further developed in later novels. As has been pointed out elsewhere he is right out of a long line of deadly sidekicks that the PI always seems to have around.

Here is what Patrick has to say about Bubba.


"an absolute anachronism in these times--he hates everything and everybody except Angie and myself, but unlike others of similar inclination, he doesn't waste any time thinking about it. He doesn't write letters to the editor or hate mail to the president, he doesn't form groups or stage marches or consider his hate as anything other than a completely natural aspect of his world, like breathing or the shot glass. Bubba has all the self-awareness of a carburetor and takes even less notice of anyone else--unless they get in his way. He's six feet four inches, 235 pounds of raw adrenaline and disassociated anger. And he'd shoot anyone who blinked at me the wrong way."

Now, the one sub-plot that I've avoided mentioning so far is the relationship between Angie and Patrick. You know as soon as you meet them that you like them as you slide effortlessly into their banter with each other. The attraction between the two of them permeates the entire novel and even the entire series. Though there is the underlying question of will they or won’t they Patrick and Angie’s relationship never devolves into a Hart to Hart or David and Maddy paring. But Patrick’s affection and devotion to her is always evident and the sexual tension between them practically jumps off the page.

The rest of her was hidden behind the newspaper except for a partial view of rich, thick hair, the color of rain swept tar, that fell to her olive arms. Behind the newspaper was a slim neck that trembled when she pretended not to be laughing at one of my jokes, an unyielding jaw with a near-microscopic beauty mark on the left side of her aristocratic nose that didn’t fit her personality at all, and eyes the color of melting caramel. Eyes you'd dive into without a look back.

Lehane has many strengths but the single trait that he is known for is his ability to craft fully realized, in depth, real, three dimensional characters. Indeed the series as a whole reads as a 5 volume character study of Patrick and Angie where some cases happen to get solved along the way.


The Guards

9 | Chapters devoted to Single Character | Detective | Ex-Police | First Person Perspective | Ghosts | Hard-Boiled/Noir | Humor | Moderate Reading | Murder Mystery | Mystery | Police | Police Procedural | Priests/Clerics | Profanity/Gore | Shamus Award | Single Hero | St. Martin's Press

Hard Boiled fiction is a distinctly American form of the mystery novel. The English cozy was the preferred style until Dashiel Hammett updated the storylines, moved it to an urban environment and added an unprecedented element of realism, violence and sex. Most Americans couldn’t identify with English lords in the country estates lazily solving meaningless crimes with the help of their servants. The American audience, not realizing that they had a need to be filled, jumped all over the chance to read these gritty American tales. Hard Boiled was so successful that it became arguably the most popular of the mystery sub-genres and the PI, regardless of background, was introduced as an archetypal literary figure.

What Ken Bruen has done is taken Hard Boiled fiction back to the other side of the pond and planted it in economically resurgent Galway, Ireland.

Ex-Garda Jack Taylor needs money when the mother of a local girl asks him to look into her daughter’s death. She doesn't believe the final police report and wants Jack to investigate. Jack finds himself desperate for real, adult, human contact and the mother desperately wants to have someone to take care of again.

More then the central mystery to be solved The Guards acts as a character study of Jack Taylor. In Taylor, Bruen cultivates a uniquely Irish dosage of melancholy. Unable to shake his demons he tries to drown them in drugs, violence and especially alcohol. While all of this is handled with ample amounts of dark humor these elements of his personality aren't glorified. They become full and real and oppressive. He loses time, blacking out for whole days, then waking in his own filth only to start the entire process over again. O'Malley's law may best summarize Jack Taylor's life "Murphy was an optimist."

The potentially devastating atmosphere that is created by writing about such a hard and depressing topic is leavened by Bruens authentic Irish characters. They all possess wit, wisdom and humor that allow you to almost laugh about Jacks troubles if only to keep from crying.

The overall story has a very subtle tweaking of the nose of genre conventions if you care to look for it. Taylor, though ostensibly the primary "investigator", takes a back seat during the actual process. When all is said and done and you close the covers of the book for the final time, it will begin to dawn on you that Taylor didn't really do anything. This lends further proof that The Guards is primarily a character study and a mystery novel second. To be fair, the mystery at the heart of the novel does find some modicum of resolution, but Jacks once sharp policing skills didn't force the resolution the way that it would have in a more traditional PI story or even your standard police procedural.

The Guards should be subtitled "The Sins of Jack Taylor". The most striking scenes in the book come when Taylor visits Rahoon cemetery. Every ghost and demon that haunts him, every sin that he has ever committed has a grave marker there. The normal emotional weight that is present during a visit to a cemetery is increased and becomes almost unbearable. What should be a simple visit to pay respects becomes an oppressive journey through his troubled past.

As an aside, it is refreshing that the book wasn't Anglicized for the American audience. Gaelic words, terms and slang as well as Galeweigan locales are tossed freely around with little or no attempt at exposition. Pick it up or not, Bruen doesn't care.


-Brian Lindenmuth


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